Mary Ann wrote: Wed Sep 16, 2026 10:17 am
It's interesting that even though the greater Tucson area is approaching one million -- our pawn shops do not contain instruments worth buying. Phoenix, maybe, but I won't drive two hours in 110 degrees both ways to find out.
All pawn shops have guitars in them.
Most are crap, a very few are "behind the counter" ($2XXX/3XXX), and the good ones (usually) don't stay on display for even a full day.
I have NO idea why this one was still there...' hidden in the corner...?? NOT some eye-popping color...??
I'm not going to mention the (major brand - from bottom-to-top-of-the-line) names of bass guitars that I do NOT like (as - again - that sort of thing is THE MOST POLITICAL topic on this site). I LIKE Fender, and a licensed Asian Fender "line" guitar is OK, if it happened to have turned out very nice when it was fabricated, and hasn't been all torn up since.
again: I got really lucky...EXACTLY-EXACTLY (the silly "maple neck preference" aside) what I was looking for...
@tubatodd
(re: earlier topic, and your comments) The SECOND time I went through "Saturday in the Park" on this 5-string (I didn't bother playing through it BEFORE I did all the set-up work) - and had one "get used to it" run with BOTH the round-wound strings and the extra string...I played it as well as I had ever played it on the other bass. (I had assumed the learning curve would be much longer.) again...I had sorta forgotten how much clearer and easier hammer-ons and pull-offs are on round-wounds.) Interestingly, I LIKE (just as with the 4-string with flat-wounds) the sonority of the neck pick-up being turned OFF, the bridge pick-up being turned up, and the tone knob (to partially dampen the terseness of the tone of the bridge pick-up) being turned all the way to the left. (I read online about some super-duper-star bass player using this as the semi-default setting on their Jazz bass.)
Back when I was a little kid (5th/6th/7th grade) and taking guitar lessons in Memphis at (long defunct) "Paul Craft's Guitar and Drum City", they had THESE
https://www.sweetwater.com/c580--Ricken ... ss_Guitars
(brand new c. 1968 models, etc.) hanging up at the 8-feet-high level towards the back (so someone wouldn't grab one and and run out the front door).
- I didn't play bass.
- I couldn't reach that high to take one down and mess with it.
- I was afraid that I might scratch a ($600 - now worth c. $15000 if in new condition) brand-new instrument.
Paul Craft sold that place, moved on to Nashville, and went on to become this person:
https://en.wikipedia.org/wiki/Paul_Craft
Paul sold it to Mike Ladd
(false information here...The original location - for a few years - was the same as Paul's, on Summer Avenue, and NOT on Elvis Presley Boulevard).
https://wreg.com/web-only/a-home-grown-workshop/
The first guitar that I bought MYSELF (with money from selling cigarettes and counterfeit pep-rally and assembly tickets) was one of these.
(from Mike Ladd)
It was just after they began being made in Japan (rather than Michigan), and (being Japanese) were thought to be "cheap".
https://i.ebayimg.com/images/g/1y4AAOSw ... -l1200.jpg
This was before I switched teachers, and began studying so-called "classic" nylon string technique.